The riches that matter are not found in monetary value but are found inside you. The gifts inside of us that make each one of us different and unique is what is priceless, not mastercard. But at the same time we are all the same. That is the uniqueness and glory of God that is given to us that makes us more important than the angels. In God's eyes there is no social class or hierarchy, we are all given the chance to be loved and love one another freely.
7 daily needs
Between my wife and I it would be fair to say that I enjoy the mornings a lot more. My wife is definitely the night owl. Not me. Maybe it's the four years that the military made me work 12 hour shifts and wake up at 4 am to exercise? Or maybe it's the fact that I have a dog who thinks it's fun to wake me up by stretching his fronts paws right in my face and then rolling all over me until I get up to let him out. But I like to think that the time I have in the morning is worth getting up for. I see it as a new leaf turning over, another chance to right the wrongs and to start fresh. The following activities help me on a day-to-day basis. I hope they help you too.
This doesn't necessarily mean spending an hour on your knees in a solemn state of mind. Maybe you pray in the shower, or before you eat breakfast. I don't know, that's between you and God. But from personal experiences I've found it's impossible to have a heart-to-heart with God when feeling obligated to pray. My best advice is just be real with God and allow your heart to be open.
Some of the most intimate moments I've had in prayer have been when I laid bare all my doubts and fears and allowed The Lord to wash over me with His Word. If you have never prayed out loud, or at all for that matter, I highly recommend you give it a try. Once you start a journey for the Truth, God will find you.
There is a great book called "The Artists Way". It's marketed as a spiritual path to higher creativy. Maybe, like me, you are a creative person and think why do I need a book to help me be creative? From my own experience the book is not meant to teach you how to be creative but to assist you in letting your creativity flow freely.
Writing is something I enjoy, but not something that comes all that easy to me. And keeping a journal is a perfect way to throw out all the rules and express your desires, your opinions or your next great idea for a project. If writing is not your style why not keep a sketchbook or collage book? There are plenty of great resources online and in bookstore that show you how to make your own journals.
Think of it as a way to clear out all the clutter that might be clogging up what you need to be focusing on.
Eating healthier and in moderation helps me feel better about my self. I think it's sad how our modern culture has chosen fast food as a respectable choice for breakfast. Breakfast is the most important meal of the day. It sets the tone for your bodies daily nutritional needs. I'm not saying that we should be stuck in the 50s. Times have changed and it's tough in our fast-paced society to sit down as a family. But even sitting down with a bowl of cereal and some juice will do your body good.
Following suit with eating a good breakfast, it is also important to choose wisely what you drink in the morning. I think most everyone would agree coffee is the "best part of waking up". However, while coffee is a good place to start, as your body actually benefits from caffeine (in moderation), there are other alternatives such as hot tea. Most parts of the world actually drink hot tea instead of coffee. With the vast amount of herbal teas available there would seem to be an extra health benefit from choosing tea over coffee. And lets not forget the classics. Orange juice (complete with 100% Vitamin C), milk (try to stay on the organic side and you're body will love you more) and of course there is always water. I actually find water to be quite refreshing in the morning while my stomach is not ready for something more acidic.
Maybe it's the first thing you do when you wake up, or maybe you wait until later. Whichever time you chose you'll notice you feel healthier throughout the day. My daily workout consist of taking my dogs on a walk. Walking is the perfect way to stay in shape your whole life and is actually the most popular form of exercise in Japan.
In America we live by the creed "bigger is better!" So all you see in fitness magazines are perfectly sculpted, bulky men and women. For me, simple is always better. Why try and kill myself over attaining a body that I neither need nor really want. There are tons of workouts that can be done at home. Pushups, crunches, lunges, squats, chin-ups, stair climbing (works great if you live in apartments), and if you add a core exercise ball or a small set of free weights you can increase the intensity of these basic workouts. I think the best advice I've heard about working out is listen to your body and know what your limits are.
I love to hear what the world sounds like. And where I'm located that includes the sounds of birds, cars passing on a nearby road, dogs barking, lawn mowers and the wonderful sound the wind makes. Most of all I like to listen in between those moments for the silence. Wherever you live, whatever your surroundings, open your ears and explore how amazing it is to be alive.
Another way I enjoy starting my day is turning on a favorite song. If I feel like relaxing I'll turn on some Iron and Wine, or if I'm feeling energetic I'll turn on some Arcade Fire and if I feel like I need to let some steam off I like to listen to Underoath. Whatever your taste in music, find something that suits you.
When God created man He gave him rule over all the earth, but one thing was lacking, a help mate. God saw that it was no good for man to be alone and so he created woman, a perfect fit for him. My intention here is to show that as humans we were designed to live with support in our lives. We were never meant to be solely independent. We all need someone we can talk to, about anything and everything. Sure, keeping a journal is a good place to start, but a journal doesn't talk back. We need people in our lives that will talk straight with us, and tell us when we're screwing things up. We need those relationships in our lives where we can confide in the other person and vice-versa.
For the record I hate "step" programs. That's why I chose not to use a title like "7 daily steps to a better you" or some junk. They never work. I think we are easily drawn to self-help books and articles like that because we want the easy way out. We want to know the answer to everything and how to fix every problem. But that's the beauty of life, we never know what each new day will bring. Every day is another chance to start fresh.
interview: ian dingman
This week I am happy to present an interview with illustrator Ian Dingman. If you don't recognize his name you should recognize his most recent work, the cover for Bottle Rocket Criterion Collection. Ian has been showing his work for a few years now, mostly along the east coast, while producing commercial work for clients such as The New York Times, The Guardian and Real Simple Magazine. So take a minute or two and familiarize yourself with the impressive Ian Dingman.
1. What is your art and design background and what made you become a illustrator?
I graduated in 2001 from Illinois State University with a BA in Art. For a couple of years I worked at a publishing company doing graphic design and illustration. At night I would paint. I slowly built up a style as well as a portfolio. I switched from oil painting to watercolor and ink simply because I liked cranking out large numbers of pieces. This is what ultimately lead me to becoming a full time illustrator.
2. When did you first become interested in art?
I don't remember a time when I wasn't interested in art. I've just always enjoyed creating something on paper. Also, I'm not really the sketching type. When I sit down and draw or paint, I typically come up with a final piece. I wish I could fill a sketchbook like a lot of other artists can, but I've tried and simply can't. So, even when pieces go horribly wrong, you can find me at my drawing table, desperately trying to find a way to fix the problem.
3. Who has the biggest influence on your style of illustration?
Painters David Hockney and Luc Tuymans, and also photographer Uta Barth. I've always felt a connection to Hockney's work whether it presents itself in my pieces or not. His compositions have always interested me as well as his color palette. Tuymans and Barth are influential in a more subliminal way. The atmospheres they create are genuinely moving, and I try to capture that in my work.
4. What tools do you normally use for a project from start to finish?
I work primarily with watercolor and ink on hot pressed watercolor paper. Occasionally I'll add acrylic, gouache or graphite. That’s where it ends when I’m working on my personal projects, but for the illustration jobs I’m hired for I’ll often do a little digital touching up. I started as a purist and refused to do any digital re-working, but over the years I've learned what I'm going to have to add or remove digitally since watercolor can be a tricky medium to work with. I lost the pretentiousness, too. Generally I work 95% by hand and 5% by computer.
5. How does being an artist influence your life? Would you say you have a different perspective on things around you?
It's an evolution. I don't always see the big picture, but will be interested in specific things for a length of time, and then I'll move on to something else. Years ago I lived in a historic landmark type of neighborhood here in Chicago. At the time I was mostly interested in people and expressions. By the time I got around to being interested in architecture I was no longer living in that area, so I missed out on a lot of things that could have been a great inspiration to me. When I lived in New York I was still interested in architecture, so there was plenty of stimuli there, and hopefully I made up a little for what I lost in Chicago. I don't think I necessarily have a different perspective on things, but more of a different way of studying details.
6. How do you spend your spare time?
I read quite a bit. Most of my work, in some way or another, incorporates something I imagined while reading — an idea, an expression or maybe even a composition. Most of these ideas are usually vague, but they help build structures for future pieces. I watch a lot of films, too, and also enjoy an occasional rock concert.
7. What are 5 of your favorite websites and why?
www.last.fm - I like to see what friends are listening to. www.itsnicethat.com - Hand picked creative link site. www.tinyshowcase.com - A new print every week by great artists. www.wikipedia.org - Because I like to know things. www.musicomh.com - A UK run review site.
8. How did you get the job of illustrating the new cover for Bottle Rocket?
I was actually on a little weekend getaway, an escape from work and the city, but the first night I decided to check my e-mail. (I try so hard not to while on vacation, but I can’t help myself.) I had a message from Criterion outlining the “Bottle Rocket” project and asking if I was interested. So, yeah, I was excited. I had seen the movie a long time ago and have always been a fan of Wes' movies as well as Eric's artwork. He unfortunately was unavailable for the project.
9. Any last words?
Check your e-mail while you're on vacation. You check your voice-mail don't you?
One last thanks to Ian for a great interview and the wonderful illustrations. For even more work and to see a complete bio visit Ian [at] www.iandingman.com.
julia hoffmann
"I believe in Simplicity."
Originally born in Frankfurt, Germany, Julia moved to London to learn English and study media studies at the University of East London. Not long after she moved to New York and enrolled at SVA to study graphic design.
Since graduating she's had an impressive incline of client work ranging from The New York Times, Burger King, The Metropolitan Opera and ,my favorite, the new identity for Criterion (pictured left).
Visit her website [at] www.juliahoffmann.com.
Or watch her on Designing Minds.
interview: richard holt
In keeping with my new design and my new outlook for this website, I proudly present the first interview with graphic designer Richard Holt. Richard, or sometimes just ®, is based out of London and the owner of www.holster.co.uk. Some of his client work includes Sony Music ISM, Silverback, and more recently he branded the logo for the new Alfa Romeo Mito.
1 - What is your art and design background and what made you become a graphic designer?
I guess I don't really have a formal Art and Design background as such. I enjoyed drawing when I was little and I grew up doing imaginative things, inventing, writing, drawing and just generally having mad ideas. I remember cutting up old Radio Times magazines and things to make cassette covers, painstakingly positioning the individual letters along the spine to spell out the title. I even had a little logo I used to put on all my schoolwork but I didn't know for a long time that there was a job which might allow my to pursue those sorts of things. I always liked art and was a bit of a geek too, so loved technology. I guess graphic design neatly lets me indulge both of those sides of my character and I'm still equally excited by the screen as I am paper. I did the usual stuff; school then art college. I took a job as a junior designer in my home town for a year before I went to university which was good experience and headed straight for London after finishing my graphic design degree at Bath. I was lucky to get a job straightaway and I've worked my way up from there. No-one's rumbled me yet...
2 - When did you first become interested in design?
In terms of design being about problem solving, I think I've always been interested in that. Kids try and fit square blocks into round holes don't they and I guess that's still what I'm trying to do. I first realised that graphic design might be an actual job that I could pursue while doing art classes at school. We were asked to make and label a folder for the year's work and I think I spent more time on getting that right than the still life stuff afterwards. From then on I seemed to be given more projects with a graphic aspect. I used to draw pictures in huge pixels using whatever prehistoric version of M$ Paint we had in the IT room, I still have those pictures somewhere...
3 - Who has the biggest influence on your style of design?
The people I work with and have worked with. I admire lots of well known designers but you never get to interrogate them, you can't debate the merits of one idea over another like you can with the person sitting next to you. I always make my best advances as a result of interacting with other people, the client, a colleague, a friend down the pub...
4 - What tools do you normally use for a project from start to finish?
Ears, eyes, brain, pen, Mac.
5 - How does being a designer influence your life? Would you say you have a different perspective on things around you?
Yes, I find it particularly hard to walk past bad signage or apostrophes in the wrong place without taking pictures. I have an almost obsessive need to document everything (see www.holster.co.uk/more/photoblog ) I figure that the more things I can recall, the more combinations of things there are to try as part of a solution to the next problem I'm handed...
6 - How do you spend your spare time?
Writing lists of how to best spend my spare time.
7 - What are 5 of your favorite websites and why?
1 - www.netvibes.com is invaluable for bring the bits of the web I'm interested in to me, saving me having to go and look for them. 2 - www.ffffound.com is a fascinating can of worms which I haven't got bored of yet. 3 - www.last.fm makes sure I always have something to listen to. 4 - www.delicious.com shows what an organic thing the web is and always turns up something fascinating 5 - www.johnsonbanks.co.uk/thoughtfortheweek usually has something sensible to say.
For even more Richard Holt you can find him around the web at these social networks:
olive
My Mom recently told me a story about the death of her friends dog Olive. Even though it's just a dog, they are very much a part of our families. I know when my two dogs die I will be an emotional mess. So when my Mom emailed me last week asking if I knew how to crop people out from photos I responded with confidence, knowing that I've only done this once or twice before. But I love a photoshop challenge and a chance to expand my skill set. Below you will find the altered photos I created in photoshop followed by the original image. Olive is the yellow lab in the middle.
The feedback from my Mom's friend was very positive, and I have to say I'm pleased as well. But above all I was happy to create these images to help a family in a time of their loss.
weekly update
In case you've been living under a rock or this is your first time here, you are now looking at the updated version of kylesteed.com. This past week I spent a great deal of time giving my site a much needed face-lift and sketching out the future of my presence on the web. The best part about this make-over is I finally combined the power of WordPress with my site, thanks to Chris over at CSS-Tricks for his helpful video tutorials. So now instead of arriving at a static page you will come here, but you can still see examples of my work, find out who I am and contact me by using the simple nav bar up top.
To give you a little inside look at what's in the future for me and this site I present you with a short unordered list:
- improve the quality and creativity of each blog post
- reach out to other designers, photographers and other creatives for interviews
- publish a WordPress theme
- eat more fruit
So there you have it, a quick update on the life of me, Kyle Steed. If you're interested in having your work displayed on my site with a brief interview please contact me and we can discuss the specifics. Otherwise, I hope you enjoy the new look and please subscribe to my feed for all updates and happenings going on at kylesteed.com.
Thanks!